Video Edits & Supercuts

The early 2010s were a weird time for Internet video culture. TikTok was still years out and Vine (remember Vine?) was in its nascent stage.

YouTube was king.

And on YouTube, the “supercut” reigned supreme (with maybe the small exception of Lonely Island videos and some massively successful vloggers).

During this time, videos - mostly supercuts - that I put together for Slacktory racked up millions of views and helped expand the comedy site’s subscriber base. It all started with a project fittingly titled “Every Wes Anderson Slow-Motion Shot, Set to Ja Rule.”

Eventually, I went on to create projects for other sites, such as Thrillist and Airows, and had my work featured on the sites of Huffington Post, PBS, Rolling Stone, TIME, Vulture and other major media outlets.

For my role in the evolution of this super-popular video style, I was interviewed by The Daily Dot and later quoted in both Fast Company and The Business of Content. I’ve also been cited in Open Screens Journal.

Perhaps most impressive, my work has been featured both at a cybersecurity conference in Helsinki AND as part of a cat-related panel at New York Comic Con - “The First (And Probably Last) Annual Feline Film & Video Festival for Humans.”

Also, in response to one of my supercuts, Kevin “Dotcom” Brown from 30 Rock sent me his autograph. That was awesome.

Below you will find a limited selection of videos I’ve created over the years. By my count, as of early 2024, my work has generated 3,512,349 views - as well as commentary ranging from “This is the best thing I've ever seen on the internet” to “1/10… unsubscribed.”